Authors: Tiago Carvalho, Christian Riess, Elli Angelopoulou, Hélio Pedrini, Fabio Faria, Ricardo Torres, and Anderson Rocha.
T. J. d. Carvalho, C. Riess, E. Angelopoulou, H. Pedrini and A. d. R. Rocha, “Exposing Digital Image Forgeries by Illumination Color Classification,” in IEEE Transactions on Information Forensics and Security, vol. 8, no. 7, pp. 1182-1194, July 2013. doi: doi: 10.1109/TIFS.2013.2265677
T. Carvalho, F. A. Faria, H. Pedrini, R. da S. Torres and A. Rocha, “Illuminant-Based Transformed Spaces for Image Forensics,” in IEEE Transactions on Information Forensics and Security, vol. 11, no. 4, pp. 720-733, April 2016. doi: doi: 10.1109/TIFS.2015.2506548
DSO-1 It is composed of 200 indoor and outdoor images with an image resolution of 2,048 x 1,536 pixels. Out of this set of images, 100 are original, i.e., have no adjustments whatsoever, and 100 are forged. The forgeries were created by adding one or more individuals in a source image that already contained one or more persons.
DSI-1 It is composed of 50 images (25 original and 25 doctored) downloaded from different websites in the Internet with different resolutions. Original images were downloaded from Flickr and doctored images were collected from different websites such as Worth 1000, Benetton Group 2011, Planet Hiltron, etc.
Authors: Daniel Moreira, Sandra Avila, Mauricio Perez, Daniel Moraes, Vanessa Testoni, Eduardo Valle, Siome Godenstein, Anderson Rocha.
Related publication: D. Moreira; S. Avila; M. Perez; D. Moraes; V. Testoni; E. Valle; S. Godenstein; A. Rocha., “Pornography Classification: The Hidden Clues in Video Space-Time” in Forensic Science International, vol. 268, november 2016, p. 46-61, doi: doi: 10.1016/j.forsciint.2016.09.010
Overview: The Pornography-2k dataset is an extended version of the Pornography-800 dataset, originally proposed in . The new dataset comprises nearly 140 hours of 1,000 pornographic and 1,000 non-pornographic videos, which varies from six seconds to 33 minutes. Concerning the pornographic material, unlike Pornography-800 , we did not restrict to pornography-specialized websites. Instead, we also explored general-public purpose video networks, in which it was surprisingly easy to find pornographic content. As a result, the new Pornography-2k dataset is very assorted, including both professional and amateur content. Moreover, it depicts several genres of pornography, from cartoon to live action, with diverse behavior and ethnicity. With respect to non-pornographic content, we proceeded similarly to Avila et al. . We collected easy samples, by randomly selecting files from the same general-purpose video networks. Also, we collected difficult samples, by selecting the result of textual queries containing words such as “wrestling”, “sumo”, “swimming”, “beach”, etc. (i.e., words associated to skin exposure). The data is available free of charge to the scientific community but, due to the potential legal liabilities of distributing large quantities of pornographic/copyrighted material, the request must be formal and a responsibility term must be signed. Thus, if you are interested please contact Prof. Anderson Rocha.
 S. Avila, N. Thome, M. Cord, E. Valle, A. Araújo, Pooling in image representation: the visual codeword point of view, Computer Vision and Image Understanding, vol. 117, p. 453-465, 2013.
Authors: Anderson Rocha, Walter J. Scheirer, Christopher W. Forstall, Thiago Cavalcante, Antonio Theophilo, Bingyu Shen, Ariadne R. B. Carvalho and Efstathios Stamatatos
Related publication: A. Rocha; W. Scheirer; C. Forstall; T. Cavalcante; A. Theophilo; B. Shen; A. Carvalho; E. Stamatatos, Authorship Attribution for Social Media Forensics in IEEE Transactions on Information Forensics and Security , vol.PP, no.99, pp.1-1 doi: 10.1109/TIFS.2016.2603960
Overview: The set was constructed by searching Twitter for the English language function words, yielding results from English speaking public users. These results were used to build a list of public users from which we could extract tweets by using the Twitter API. We collected ten million tweets from 10,000 authors (the Twitter API only allows the extraction of the most recent 3,200 tweets from a user) over the course of six months in 2014. Each tweet is at most 140-character long and includes hashtags, user references and links. While we cannot release the actual messages, we release all of the features derived from them in an effort to provide the community with a standardized resource for evaluation. Thus, if you are interested please contact Prof. Anderson Rocha. The source-code is available on GitHub.
Authors: Thierry Pinheiro Moreira, Mauricio Lisboa Perez, Rafael de Oliveira Werneck and Eduardo Valle
Related publication: Moreira, T.P., Perez, M.L., Werneck, R.O., Valle, E. Where is my puppy? Retrieving lost dogs by facial features. Multimed Tools Appl (2016). doi:10.1007/s11042-016-3824-1
Overview: We acquired the Flickr-dog dataset 6 by selecting dog photos from Flickr available under Creative Commons licenses. We cropped the dog faces, rotated them to align the eyes horizontally, and resized them to 250×250 pixels. We selected dogs from two breeds: pugs and huskies. Those breeds were selected to represent the different degrees of challenge: we expected pugs to be difficult to identify, and huskies to be easy. For each breed, we found 21 individuals, each with at least 5 photos. We labeled the individuals by interpreting picture metadata (user, title, description, timestamps, etc.), and double checked with our own ability to identify the dogs. Altogether, the Flickr-dog dataset has 42 classes and 374 photos.
Authors:Guilherme Folego, Otavio Gomes and Anderson Rocha
Related publication: Folego, G., Gomes, O. and Rocha, A., 2016. From impressionism to expressionism: Automatically identifying van Gogh’s paintings. In Image Processing (ICIP), 2016 IEEE International Conference on (pp. 141-145). dx.doi.org/10.1109/icip.2016.7532335
Overview: The dataset contains 207 van Gogh and 124 non-van Gogh paintings, which were randomly split, forming a standard evaluation protocol. It also contains 2 paintings whose authorship are still under debate. To the best of our knowledge, we created the very first public dataset for painting identification with high quality images and density standardization. We gathered over 27,000 images from more than 200 categories in Wikimedia Commons. The code is also available on GitHub.
Authors: Allan Pinto, William Robson Schwartz, Helio Pedrini and Anderson Rocha
Related publication: Pinto, A.; Schwartz, W.R.; Pedrini, H.; Rocha, A.d.R., Using Visual Rhythms for Detecting Video-Based Facial Spoof Attacks. Information Forensics and Security, IEEE Transactions on , vol.10, no.5, pp.1025,1038, May 2015. dx.doi.org/10.1109/TIFS.2015.2395139
Overview: In our work, we present a solution to video-based face spoofing to biometric systems. Such type of attack is characterized by presenting a video of a real user to the biometric system. Our approach takes advantage of noise signatures generated by the recaptured video to distinguish between fake and valid access. To capture the noise and obtain a compact representation, we use the Fourier spectrum followed by the computation of the visual rhythm and extraction of the gray-level co-occurrence matrices, used as feature descriptors. To evaluate the effectiveness of the proposed approach, we introduce the novel Unicamp Video-Attack Database (UVAD) which comprises 17, 076 videos composed of real access and spoofing attack videos. The code is also available on GitHub.
Authors: Ramon Pires, Herbert F. Jelinek, Jacques Wainer, Eduardo Valle and Anderson Rocha
Related publication: Pires, Ramon; F. Jelinek, Herbert; Wainer, Jacques; Valle, Eduardo; Rocha, Anderson (2014) Advancing Bag-of-Visual-Words Representations for Lesion Classification in Retinal Images. dx.doi.org/10.1371/journal.pone.0096814
Overview: Diabetic Retinopathy (DR) is a complication of diabetes that can lead to blindness if not readily discovered. The bag-of-visual-words (BoVW) algorithm employs a maximum-margin classifier in a flexible framework that is able to detect the most common DR-related lesions. In order to evaluate it, three large retinograph datasets (DR1, DR2 and Messidor) with different resolution and collected by different healthcare personnel, was adopted. The DR1 and DR2, provided by the Department of Ophthalmology, Federal University of São Paulo (Unifesp), each image was manually annotated. In DR1, the images were captured using a TRC-50X (Topcon Inc., Tokyo, Japan) mydriatic camera with maximum resolution of one megapixel (640×480 pixels) and a field of view (FOV) of 45°. In DR2, the dataset was captured using a TRC-NW8 retinograph with a Nikon D90 camera, creating 12.2 megapixel images, which were then reduced to 867×575 pixels for accelerating computation.
Several datasets for Image/Text Phylogeny Trees and Forests Reconstruction. There are seven datasets for image phylogeny and two datasets for text phylogeny. The source code is also available here.
Authors: Anderson Rocha, Daniel C. Hauagge, Jacques Wainer and Siome Goldenstein
Related publication: Rocha, A.; Hauagge, D. C.; Wainer, J.; Goldenstein, S.; Automatic fruit and vegetable classification from images. Computers and Electronics in Agriculture, Volume 70, Issue 1, January 2010, Pages 96-104. dx.doi.org/10.1016/j.compag.2009.09.002
Overview: The Supermarket Produce data set is the result of 5 months of on-site collecting in the local fruits and vegetables distribution center. The images were captured on a clear background at the resolution of 1024×768 pixels, using a Canon PowerShot P1 camera. For the experiments in this paper, they were downsampled to 640×480. The data set comprises 15 different categories: Plum (264), Agata Potato (201), Asterix Potato (182), Cashew (210), Onion (75), Orange (103), Taiti Lime (106), Kiwi (171), Fuji Apple (212), Granny-Smith Apple (155), Watermelon (192), Honeydew Melon (145), Nectarine (247), Williams Pear (159), and Diamond Peach (211); totalizing 2633 images.